The songs of the participants of the International Music Contest «Intervision»
will not only present national musical traditions but will also tell
the audience about what is dear and important to people in different countries.
Colombian singer Nidia Góngora will bring her song “In the Mangrove Thickets” to the Contest. This work is a spiritual dedication to the mangrove forests of Colombia’s Pacific coast, which are considered sanctuaries of life, resilience, and ancient wisdom. They are an integral part of the life of the Afro-descendant communities who inhabit and protect them. This ecosystem is not only a natural wonder: in the culture of the Pacific region, they are sacred territories connecting life with memory. By writing this song, Nidia Góngora wanted to remind us of the need to preserve mangrove forests as a source of ecological balance on the planet and, at the same time, pay tribute to their beauty, strength, and fragility.
The song is written in the original genre of “alabao-beat,” which immerses the listener in a mystical atmosphere and helps them feel the invisible connection between the past, present, and future.
Chinese singer Wang Xi will present his hit song “At the Horizon.” As if woven from ether and metaphors, this composition uses music to paint a mystical picture of aspiration and longing. The “mountain peak” mentioned in the lyrics personifies a goal that beckons seekers, symbolizing the pinnacle of ideals and the ultimate goal of life. The only way to reach this beauty is through ascent, filled with determination and strength. Those who embark on this journey will be guided by bright “stars” connected to the peak by hazy “clouds.” Listeners will have to feel what lies behind these beautiful allegories, and each will see their own distant horizon in their heart.
The song’s special charm comes from the original arrangement chosen by the artist and his velvety voice with a wide range. It is worth noting that Wang Xi moved away from the traditional folk-style performance of the piece and involved the International Chamber Philharmonic Orchestra to create his version.
Talented young artist from Vietnam Đức Phúc has prepared an exciting show for the audience, promising to fully reflect the richness of Vietnamese culture and national identity, harmoniously combining their unique artistic style with the youthful energy of the new generation. The inspiration for Đức Phúc’s contest song is the legendary hero of Vietnamese mythology, Thánh Gióng (also known as Phù Đổng Thiên Vương – The Heavenly King of Phù Đổng Village), an enduring symbol of the nation’s strength and aspirations. His story carries the spirit of Vietnam into the hearts of listeners worldwide, demonstrating that sometimes the simplest things can become truly outstanding when you are driven by sincere feelings for your homeland. By performing this song, Đức Phúc expresses deep love for his native country and pride in its people who overcome any difficulty.
The release of the song “FLAVOUR”, which will be performed at “Intervision” by Kenyan singer Sanaipei Tande, took place in April of this year, and it immediately became popular in the country. The singer has brought a version of the hit, specially created for the Contest in an afro-pop style, to Moscow.
The duo D-Lain & Denise from Madagascar will gift the “Intervision” audience their love song “I Want More For Us.” This is a wish for two lovers to live their love even better and deeper than before. The musicians hope their composition will inspire people to live life to the fullest and become stronger despite any trials. D-Lain & Denise are sure that the modern world needs inspiring messages calling for love.
Musician from Egypt Mustafa Saad will sing a love ballad “Among All the Girls” at the Contest. The song’s arrangement is a beautiful mix of an Arabic-style pop ballad with touches of cinematic tracks and Middle Eastern motifs.
The singer wrote the lyrics for this song himself and admitted in an interview that this happened during a period of pause in his life and career – a time when he experienced uncertainty, melancholy, and thought about personal growth. The song became a means of expressing quiet strength and faith. Rich in metaphors and sensual details, the song combines tenderness and admiration, expressing a love so rare and precious that it seems heavenly.
The author’s use of the image of a butterfly, symbolizing spiritual rebirth, is musically conveyed through a combination of gentle Arabic melodies, modern pop rhythms, and orchestral techniques. The shift between gentle verses and powerful choruses seems to convey an unchanging truth: some love stories are just a matter of time.
The singer admits: “This song is very personal, and I know I am not alone in my feelings.”